Saturday, November 3rd, 2018, 6pm @ VCP
(Free & open to the public)
Please join the Vermont Center for Photography for a public artist talk with MA-based photographer, Paul Reitano, in conjunction with his solo exhibition “Thrive: The Overcome Project”. Paul’s photographic series that will be on display for the month of November stemmed from his personal battle – and eventual success story – with cancer. This series is a collection of raw and evocative images of the experiences Reitano endured and the many people who aided him along the way.
Mitchell • Giddings Fine Arts is pleased to feature an Artist Talk with Bruce Campbell Saturday, June 9th at 5:30pm. Campbell’s current exhibit Thinking the Cosmos: Kinetic Sculpture will be featured at Mitchell • Giddings through June 24.
Bruce Campbell graduated from Syracuse University with a BFA in printmaking and received an MFA from Indiana University. In the early ‘70s Campbell began designing books and manuscripts, and soon he was specializing in the design of art museum books and catalogues. For thirty years his clients have included The Metropolitan Museum of Art, National Gallery of Art, The Peabody Museum, and The Museum of Fine Arts, Houston, among others.
Mitchell • Giddings Fine Arts is excited to host an Artist Talk with Matt Brown on Saturday, April 21 at 5pm. Brown will be discussing his current exhibit “Conversations with Color Woodblock Prints”, on display at Mitchell • Giddings Fine Arts through May 6. The talk will include a demonstration by Brown of the Japanese hanga method of printmaking used by Hokusai, Kunisada and Hiroshige, a technique in which each print is created entirely by hand using water and pigments applied to multiple carved wooden blocks. One woodblock corresponds to one color within a print, and each is transferred to paper by a small hand-held baren.
“Conversations with Color Woodblock Prints” features over 40 prints, with many new pieces, as well as watercolor and pencil studies, working proofs and progressive states, providing viewers a glimpse into the artist’s continuous dialogue with his imagery and materials. Often changes made over several years create subtle, or dramatic, re-imagining of Brown’s initial vision.