cgrotke

Everyone has their own favorite tools, and for artists this means art supplies. We have a room dedicated, filled with all sorts of goodies.

I’m rather simple in my essentials. I exclusively use whatever is available. If I get a choice in the matter, I’m drawn to soft pencils and black sharpies, and small sheets of paper. For animation I get out my Color-erase blue pencil and work with punched paper.

But that’s just for drawing. I also like to have easy access to rulers, flexible curves, colored paper, scissors, exacto knives, tape, a range of glues, wood, metal, glass, clay, fabrics, cameras, instruments, and reference books and videos.

One of my creative mentors is Chuck Jones, one of the best directors to work with Bugs Bunny. I met him first through Saturday morning cartoons, then later as part of the animation program we were running at the children’s museum in DC.

Above my desk is a drawing of the coyote and road runner that he drew as part of a class at the museum. I can still remember him drawing it, explaining each line as he went along. It reminds me of him, and of the types of conversations he liked having. He was extremely well-read and drew from a lifetime of paying attention to little details.

Wet into wet. Wet on dry. Dry on wet. Washes Here’s a 15 minute video to help spice up your watercolor abilities. If you follow along, you’ll end up with a series of abstract paintings that you can use to redecorate your home.

Grab some watercolors and some watercolor paper, some brushes of varying sizes, and some water. Then play along with the video.

Marking a first for the organization, Brattleboro’s Strolling of the Heifers is planning to feature their newest acquisition in this year’s parade – 42 Asian elephants.

“We were watching the accelerated retirement of the Ringling elephants and realized they needed a new home quickly,” said a spokesperson for the Stroll.”Why not southern Vermont?”

I just finished a winter assignment and thought I’d share a bit about “the making of” this new animation.

This project really started a few years ago, when I was given the FAX jr. animation stand used at the Animation Lab at Capital Children’s Museum. (I used to run the program at the museum, and the animation stand is an old friend.) I invested in a new camera and software to shoot single frame animation, and did some tests to make sure it was all working.

The stand really pulled me away from computer animation and back into physical media of drawings and objects. I decided to give myself an assignment of completing a fully drawn animated project. But what to do?

Two Alfred Hitchcock treats for you this weekend, to cover a range of creative topics such as suspense and filmmaking.

The first is an interview he did in 1972. I love listening to him talk, and he has a very dry sense of humor.

The second is an analysis of the way he blocks out a single shot in one of his films.