Vermont Jazz Center Presents: Alfredo Rodriguez Duo with Pedrito Martinez

On Saturday May 18th, the Vermont Jazz Center will present a duo concert featuring two of Cuba’s foremost musical performers: pianist Alfredo Rodriguez and percussionist Pedrito Martinez. Their charismatic presence, a brand new album and an on-going tour of about fifty international gigs has generated tremendous excitement and expanded their circle to include listeners around the globe. In the coming months they will be touring Canada, Italy, Spain, France, Turkey, Sweden, Switzerland, and the US, including Brattleboro, Vermont. In the promo for their new release, Duologue, percussionist Martinez states that “what makes this duo completely different is that I came from the folkloric side and Alfredo came from the classical side.”


Vermont Jazz Center Presents: Helen Sung’s “Sung With Words”

The Vermont Jazz Center welcomes Helen Sung and celebrates her Chamber Music America sponsored suite, “Sung With Words” on Saturday, March 30th at 8:00 PM at the Vermont Jazz Center.  This show is a rescheduled date from a snowed out event on January 19, 2019.  The pianist/composer will present a project that embodies the alliance of poetry and jazz and then takes it to new places. The performers in the octet are Helen Sung (piano and composition), Jason Palmer (trumpet), John Ellis (woodwinds), Charenée Wade and Carolyn Leonhart (vocals), Rick Rosato (bass), Adam Cruz (drums) and Samuel Torres (percussion).


Vermont Jazz Center Presents: Russell Malone Quartet

The Vermont Jazz Center welcomes guitarist Russell Malone to its stage on March 16th. He will appear with his established quartet including pianist Rick Germanson, bassist Luke Sellick and drummer Anwar Marshall. Perhaps best known for his Grammy nominated work with vocalist Diana Krall, Malone is one of the leading guitarists on the jazz scene today.

Russell Malone is a hard-swinging guitarist also known for his evocative ballad playing. His signature sound is a full-bodied tone with long, fat, sustained notes, reminiscent of one of his early heroes, George Benson. According to his website, “on a school night when [he] should have been in bed” in 1975, he saw George Benson play “incredible things” on a TV special called “Seven Comes Eleven.” Malone quickly purchased two of Benson’s recordings, The George Benson Cookbook and Benson Burner,” which, along with Wes Montgomery’s Smokin’ At the Half Note and Boss Guitar, then set him on what he says is “a course that I have not deviated from.”