The old guard was the Who (two week ago’s concert).
Punk’s vanguard was the Sex Pistols (Americans could argue for the Ramones & the New York Dolls, but Britain had far and away the more vibrant movement and the Pistols were its undisputed leader and last week’s
This week our concert band is a member of punk’s rearguard: the Buzzcocks. This 1981 concert was the band’s last till they reformed in 1989.
It’s amazing to me now that such a good band would have failed. However, the punk & new wave movement spawned more bands than could be supported and many good ones fell by the wayside and others never got the recognition they probably deserved (XTC and Husker Du come to mind).
Summary : Leahy and Sanders take Chuck Hagel to
task over the distinguished warfare medal, the weekend’s gun show and
Fukushima rally make the headlines, Jamaica talks an LED overhaul for
the town, and much more.
Sandglass Theater brings it’s newest piece to the New England Youth Theatre in Brattleboro for a special two-night limited engagement to kick off our national tour. D-Generation: An Exaltation of Larks is a full-length theater piece based on stories written collaboratively by groups of people with late-stage dementia. The work is performed by three puppeteers (the caregivers) and five puppets (the residents of a care-facility). Set to a compelling original score and striking animated video segments, D-Generation takes us into a world that is all too much a part of our lives.
The Windham Regional Career Center at Brattleboro Union High School is pleased to announce their Community Education and Training Programs for this spring. Betsy Gentile, Workforce Development Manager and Adult Education Coordinator is presenting 17 community education and training programs to meet the needs of area employers and their employees as well as providing personal and professional enrichment opportunities for all community members.
“We’re extremely excited about two new technical training opportunities, Certified Fiber Optic Technician training and Intermittent Electrical & Drivability Diagnostic Strategies training.”
When vocalist Karrin Allyson steps to the microphone, you can’t predict what style or language she’ll be performing in. The best part is, it doesn’t matter.
Allyson is referred to as a jazz vocalist, and has climbed to the pinnacle of the genre since recording her debut album, I Didn’t Know About You, in 1992. She is now regarded among the top vocalists in jazz. Releasing her 13th album last year, Allyson has put together a career that has brought her to top stages around the world, performing at major jazz festivals in Brazil, Japan, Australia and Europe, as well as the most legendary venues in the United States, including regular appearances at New York’s Blue Note and Birdland. Along the way, Allyson has garnered four Grammy Award nominations, most recently for her 2012 album ‘Round Midnight.
The Next Stage Arts Project and The Putney School are delighted to co-present a special live concert event on Sunday, April 28, 2013 at 7:00pm, featuring folk music icons from the film For the Love of the Music; The Club 47 Folk Revival. Featured performers will include: iconic composer David Amram, Erik Lawrence (of The Levon Helm Band), Alana Amram & The Rough Gems, Tim Eriksen & The Trio De Pumpkintown, Diamond Doves, Haley Reardon and more. The concert will take place at Next Stage, 15 Kimball Hill, in Putney, Vermont.
Next Stage Arts Project announces the launch of a monthly Open Mic/Coffee House series, beginning Sunday, March 17, and continuing on the third Sunday of each month. Musical Local-vores are welcome to this community event to perform, or simply listen and enjoy. Musicians, storytellers, and other local artists who wish to share their art in a fun local venue are welcome. Next Stage is located at 15 Kimball Hill, Putney, VT.
Open Mic performers can sign up at 6:00pm and time slots will be alotted based on the number of performers. The suggested donation for performers and listeners is $5. At 6:30pm the night’s featured local performer will present a short set, playing “for the passing of the hat”.
Twilight Music presents Pennsylvania-based, acoustic folk trio The Stray Birds, plus traditional singer/multi-instrumentalist/songwriter Keith Murphy at Hooker-Dunham Theater & Gallery on Thursday, March 14 at 7:30 pm.
When The Stray Birds take the stage, the spotlight falls on three voices raised in harmony above the raw resonance of wood and strings. It is a sound drawn from the richness of American folk music traditions, spun with a stirring subtlety and grace. Maya de Vitry, Oliver Craven and Charles Muench’s performances speak to an uncompromising reverence for songs and their embrace of the experience of live music. Reveling in the energy of each room, a connection to the audience is the essence of their show.
Last weekend’s performance was the Who from 1970, when they were in the midst of a run of highly successful albums that included Tommy (’69), Who’s Next (’71) and Quadrophenia (’73).
By 1977, the year before this weekend’s concert takes place the Who’s formidable energies were tied up in legal wrangling over royalties.
Finally, one night in March of that year Pete Townsend, the group’s guitarist and principal song writer and in this instance, negotiator walked out of an 11 hour meeting with a seven figure check in his hand.
He headed to a bar called the Speakeasy where a couple of his protégés were playing (John Otway and Wild Willy Barrett). He got drunk on only two shots of whiskey.
I grew up on a small farm not far from the western shore of the Chesapeake. Summers meant daily hard work, up before dawn and out long after dusk, until the mosquitoes mercifully carried us off the fields. There was little respite for working kids who lived on an organic subsistence long before we ever knew what the word organic meant.
Some leisure time, though, was to be had for me: down at the swimming hole, scampering after the ice cream truck, badminton nets on the grassy lawn, softball with the flirty girls and showoff boys, cookouts under the apple trees; laying on the still-warm grass gazing up at the carpet of stars that blanketed the night sky and using my imagination when my mind was not otherwise occupied with work and play.
Here is an account of Town Meeting in Brattleboro, as reported March 10, 1899 in an article from the Vermont Phoenix.
Read on for the election of our leather inspector, a defeat for increased Memorial day funds, tax exemptions for the new toy company, a discussion of electric lights on Western Ave., debate over school tuition, and more.
A MARCH MEETING
Without Even a Ripple of Excitement
The Old Board of Officers Re-Elected — the Regulation Tax Voted — the New S.A. Smith Company Exempted from Taxation by a Unanimous Vote
On Wednesday, March 20th at 7:00 pm, Kurn Hattin Homes for Children welcomes the public to attend its 21st Annual Choral Invitational. The event is in celebration of “Music in Our Schools Month” and will feature performances from seven area choral groups and conclude with an audience sing-along of “America, The Beautiful.” Kurn Hattin Co-executive Director, Tom Fahner, will be Master of Ceremonies.
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