Next Stage Arts Project and Twilight Music present contemporary folk and pop singer/songwriters and multi-instrumentalists Seth Glier and Hannah Hoffman at Hooker-Dunham Theater & Gallery on Saturday, October 3 at 7:30 pm.

Singer, songwriter, pianist, guitarist, producer and Grammy nominee Seth Glier is renowned for his fearless vocal delivery, musical exuberance and seasoned songwriting beyond his years. A troubadour in every sense of the word who averages over 250 live performances annually, 26 year-old Glier has gone from opening act to headlining his own shows and playing major festivals. He’s shared the stage with artists as diverse as James Taylor, Ani DiFranco, Edwin McCain, Martin Sexton, Emmylou Harris and Ryan Adams, and has quickly become known for his passionate live sets and powerful command of both piano and guitar.

Guest performers to include Tyler Gibbons of Red Heart the Ticker

BRATTLEBORO, VT — Singer-songwriter David Berkeley returns to the Brattleboro Museum & Art Center (BMAC) on Wednesday, October 7 at 7:30 p.m., for the New England release of his newest album, “Cardboard Boat,” and the accompanying novella, “The Free Brontosaurus (Rare Bird).” Joined by guitarist Bill Titus and special guest Tyler Gibbons of the Vermont-based duo Red Heart the Ticker, Berkeley will perform in the museum’s Wolf Kahn & Emily Mason Gallery, surrounded by the artwork of Jim Dine. Tickets are $16 in advance, $20 at the door. Purchase online at or call .

The Vermont Jazz Center will present Cuban Saxophonist Carlos Averhoff, Jr. and his quartet iRESI on Friday, October 2nd at 8:00 PM. This is a rare opportunity for the VJC’s audience to hear a masterful and authentic conflation of North American jazz with Cuban clave. Averhoff’s concept superimposes cutting edge post bop jazz language over the complex polyrhythms of his tierra nativa. The group, which he performs and records with, includes Aruan Ortiz on piano, Francisco Mela on drums and John Lockwood on bass. Each of these musicians brings a vast knowledge of both jazz and Latin idioms – they can improvise with relaxed nuance over sophisticated rhythms.

Cuban music often uses a repetitive two-measure phrase called “clave” which is inseparably woven into the fabric of the groove. This is closely related to the way in which the repeated pattern of the drummer’s ride cymbal is a defining characteristic in swing and bebop music. Carlos, Aruan and Mela, who grew up in Cuba, have an internalized comprehension of the clave pattern. Like speaking in one’s native tongue, no thought is needed for them to imbue their music with clave – it is inserted instinctively into the natural cadence of the music and is reflected in many of Carlos’ compositions.