Culture

Innovative, original jazz, influenced by Colombian rhythms. Featuring saxophonist, Jaleel Shaw

The Vermont Jazz Center will present Colombian pianist, Carolina Calvache, performing as part of our Emerging Artist series. This young artist has all the qualifications that the VJC is celebrating in this series: she is launching her first CD with a major jazz label (Sunnyside), she is a creative composer, she is highly accomplished on her instrument. She is a rising star in the eyes of both critics and peers and she is traveling with her own band. Her musicians have studied and performed her complex material and are able to transcend its technical demands and add to the beauty of her vision. These musicians are Jaleel Shaw on saxophone, Yasushi Nakamura on acoustic bass and Rodrigo Recabarren on drums.

Guilford, Vt. – Friends of Music at Guilford has been providing the Guilford Central School with a Music Enrichment Program residency for the past six seasons, with partial funding from the Max Y. Seaton Trust. The balance of the budget is raised by a public concert in Brattleboro featuring the program’s residency artists and also, for the past three seasons, by a Spaghetti Supper held at the school.

This year’s pasta supper is set for Wednesday, March 26, from 5 to 6:30 p.m., and is followed by a School Music Night concert; the school is at 374 School Rd. in Guilford Center. The menu includes pasta with a gluten-free option, a vegetarian sauce made from scratch, homemade meatballs for carnivores, green salad, artisan bread with plain or garlic butter, beverages, desserts and a sundae bar.

We arrived fashionably late for the Future Collective show Friday night and missed Wooly Mar’s opening. We regret that but we had the bill upside down.

Wooly Mar is Maria Pugnetti, an “intermedia artist” living in Northampton, MA, who has done various musical things through the years, usually described as some kind of folk music. Currently, she’s doing her own thing with a fluctuating group of musical collaborators, of whom we heard one, a bass player named Kurt. Armed with a compact array of keyboard, drum machine, effects units, and other gear, she coupled sounds and effects with her own sinuous voice in a way that was frankly mesmerizing and slightly levitational. I don’t think I’m exaggerating when I say that this woman was luminous, or as one girl shouted out, “pure magic.”