Culture

Over the years the Estey Organ Museum in Brattleboro, VT has received a number of reed organs which are no longer needed for the museum’s permanent collection. As a way to free up storage space as well as pass some of these instruments on to those who would have a use for them, the museum is holding a Reed Organ Re-Homing Weekend on October 24 & 25, 10 AM to 4 PM, at the museum, 108 Birge Street, Brattleboro, VT.

These instruments range in condition from just dusty to requiring complete re-building or re-purposing. Also available are parts for reed organs, pipe organs, and early electronic organs.

On Saturday, October 17th, the Vermont Jazz Center will present world-class drummer Carl Allen with his group “The Art of Elvin.” This working band includes Tivon Pennicott, saxophones; Freddie Hendrix, trumpet; Xavier Davis, piano; Dezron Douglas, bass, and group leader Carl Allen on drums. Allen states: “The group is a tribute to Art Blakey and Elvin Jones and features music performed by both Art Blakey and/or Elvin Jones as well as some original music. In the tradition of both Art and Elvin the music is hard bop, gospel infused, hard swinging music that is designed to make one feel good. It’s high energy as well as toe tapping.”

“Guy Davis. He’s out of New York, and he’s America’s greatest link to the blues right now.” ~ Windsor Star, Ontario, Canada. July 31, 2015.

Guy Davis last played Brattleboro in 2008, alongside Pete Seeger in a memorable, sold-out concert at the Lathis.

Friday night, you have a chance to hear him, solo, at the River Garden.

Seating is limited to 200, all seats are just $20. Tickets and information: .

Here he is playing one of the songs on his brand new album, Kokomo Kidd:

This will be acoustic music at its finest with Barbara Higbie (piano), David Cullen (guitar), Jill Haley (oboe & English horn), David Lindsay (guitar), and Tom Eaton (piano)! The concert is presented by Will Ackerman, (Grammy winner and founder of Windham HIll Records), who has been praised for producing some of the best acoustic instrumental music in the world in recent years at his Imaginary Roads Studio in West Dummerston. 

 The Gathering Concert will be at The Centre Congregational Church this Friday, Oct. 9 at 7:30 p.m.

Tickets $20 – available at Hermit Thrush Brewery, 29 High Street, at the door, and at at http://www.brownpapertickets.com/event/1990848

Next Stage Arts Project and Twilight Music present contemporary folk and pop singer/songwriters and multi-instrumentalists Seth Glier and Hannah Hoffman at Hooker-Dunham Theater & Gallery on Saturday, October 3 at 7:30 pm.

Singer, songwriter, pianist, guitarist, producer and Grammy nominee Seth Glier is renowned for his fearless vocal delivery, musical exuberance and seasoned songwriting beyond his years. A troubadour in every sense of the word who averages over 250 live performances annually, 26 year-old Glier has gone from opening act to headlining his own shows and playing major festivals. He’s shared the stage with artists as diverse as James Taylor, Ani DiFranco, Edwin McCain, Martin Sexton, Emmylou Harris and Ryan Adams, and has quickly become known for his passionate live sets and powerful command of both piano and guitar.

Guest performers to include Tyler Gibbons of Red Heart the Ticker

BRATTLEBORO, VT — Singer-songwriter David Berkeley returns to the Brattleboro Museum & Art Center (BMAC) on Wednesday, October 7 at 7:30 p.m., for the New England release of his newest album, “Cardboard Boat,” and the accompanying novella, “The Free Brontosaurus (Rare Bird).” Joined by guitarist Bill Titus and special guest Tyler Gibbons of the Vermont-based duo Red Heart the Ticker, Berkeley will perform in the museum’s Wolf Kahn & Emily Mason Gallery, surrounded by the artwork of Jim Dine. Tickets are $16 in advance, $20 at the door. Purchase online at or call .

The Vermont Jazz Center will present Cuban Saxophonist Carlos Averhoff, Jr. and his quartet iRESI on Friday, October 2nd at 8:00 PM. This is a rare opportunity for the VJC’s audience to hear a masterful and authentic conflation of North American jazz with Cuban clave. Averhoff’s concept superimposes cutting edge post bop jazz language over the complex polyrhythms of his tierra nativa. The group, which he performs and records with, includes Aruan Ortiz on piano, Francisco Mela on drums and John Lockwood on bass. Each of these musicians brings a vast knowledge of both jazz and Latin idioms – they can improvise with relaxed nuance over sophisticated rhythms.

Cuban music often uses a repetitive two-measure phrase called “clave” which is inseparably woven into the fabric of the groove. This is closely related to the way in which the repeated pattern of the drummer’s ride cymbal is a defining characteristic in swing and bebop music. Carlos, Aruan and Mela, who grew up in Cuba, have an internalized comprehension of the clave pattern. Like speaking in one’s native tongue, no thought is needed for them to imbue their music with clave – it is inserted instinctively into the natural cadence of the music and is reflected in many of Carlos’ compositions.