Culture

Don Was, president of Blue Note records) claims that “Joel is not only one of the preeminent instrumentalists of this era, but he is one of the greatest musical visionaries of his generation.” The concert will be held in front of a reduced-capacity, live audience and will also be live streamed on the Jazz Center’s website (www.vtjazz.org) and Facebook page (https://www.facebook.com/VermontJazzCenter/live/). Ross will be performing with his working quintet called Good Vibes. The group includes Godwin Louis on alto saxophone, Jeremy Corren on piano, Kanoa Mendenhall on upright bass and Jeremy Dutton on drums. This is Ross’ touring and recording ensemble (with Louis replacing Immanuel Wilkins on alto) and is featured on Ross’ two highly respected Blue Note releases: KingMaker and Where are You.

For listeners familiar with the impact of the vibes in bebop and swing, Ross’ dynamic sound recalls jazz legends Red Norvo, Lionel Hampton, Bobby Hutcherson, Milt Jackson and Gary Burton. His approach is steeped in the tradition. In fact, he uses an old-school, two mallet technique similar to Milt Jackson rather than the four-mallet technique used by most contemporary vibes players. He does this because he prefers the clarity of sound he is able to achieve. Ross has evolved to become one of the most visible jazz musicians of his generation, joining forces with such titans as Ambrose Akinmusire, James Francies, Jason Palmer, Mckaya McCraven, Marquis Hill, Jonathan Blake, Walter Smith and Matt Stevens. His respect for the past combined with his transcendent ability to enter the “zone” of becoming one with the music have given him a unique voice that is simultaneously modern and timeless. JazzTimes Magazine claims “Not since Stefon Harris’ arrival 20 years ago has the jazz world heard a young vibraphonist intent on exploring so many dimensions.”