BRATTLEBORO, VT — A new exhibit called “” opens at the Brattleboro Museum & Art Center (BMAC) on Friday, October 2 at 5:30 p.m. during Brattleboro’s monthly Gallery Walk. After the opening, starting at 7 p.m., Brattleboro bands . Admission is free all night.

 “” features 29 paintings by artist Kathleen Kolb of Middlebury, Vermont, accompanied by poems and other writings by poet Verandah Porche of Guilford, Vermont. Kolb’s paintings depict loggers and logging equipment, saw mills, wood chip power plants, and other scenes from the region’s vibrant forestry industry. Porche’s writings derive from interviews with loggers and foresters, as well as her own ruminations on the subject matter. Organized by BMAC in collaboration with Forest*Care; Vermont Department of Forests, Parks and Recreation; Vermont Land Trust; and Windham Regional Commission, the exhibit has been sponsored by Cersosimo Industries, Allard Lumber Co., East Mountain Forestry, and Vermont Woods Studios. Kolb and Porche are expected to attend the opening on October 2.

On Saturday, October 3, from 4 – 6 pm at Mitchell • Giddings Fine Arts, 183 Main Street, Brattleboro, the public isinvited to a book signing of Emily Mason’s new book, The Light in Spring.

Mitchell • Giddings Fine Arts is very pleased to host the first public book release of Emily Mason’s most recent monograph, The Light in Spring. The evening will include a one-night exhibit of Mason’s print work as well as a opportunity to meet the artist and have her sign your copy of the book!

On Thursday, October 1, from 5 – 7:30pm at Mitchell • Giddings Fine Arts, 183 Main Street, Brattleboro, the public is invited to an opening reception for Christine Triebert’s new solo exhibit,”Through a Glass Dimly“.

Mitchell • Giddings Fine Arts is pleased to introduce this unique portrait series including more than twenty subjectsmany of whom will be familiar to area residents. The faces may be recognizable, but the subjects are shown in a novel way; simply, unadorned, and draped only with a crisp white sheet. According to photographer, Christine Triebert, “The white sheet symbolizes the commonality of our human experience.

It is reminiscent of the blanket we’re swaddled in at birth and the burial cloth we’re wrapped in at death.” Using the white sheet also brings us all to an equal place, “By donning the same covering, the portrait subjects are presented in a visually unified way, yet each person’s unique manifestation and expressiveness shines through. My intention with each image is to portray an essential quality of being of the individual self. As a whole body of work, they suggest a view of seeing ourselves as ‘spiritual beings having a human experience’.”